Of course in a recording that's true as well. The Superior Drummer 3 sound library was recorded using eleven additional room microphones set up in a surround configuration. ![]() If you can reach the same volume you might need to adjust the SD3 velocity curves but don’t just crank them up as you’ll lose all your dynamics (which is far more important than volume). I use it in backing tracks so the drums sound like they're mixed better without being abrasive. Hit the pads hard and you’ll start hearing them to be similar to what you’re hearing when clicking. Where I think it matters a lot is in live performance. Producing Electronic Music with Superior Drummer 3 4.9 (8) - log in to review 32 Videos Length: 2hr 19min 6sec Sample this tutorial. And the good news is it comes for free just by adjusting the velocity of your MIDI note. This tends to be especially true in recordings in that the bleed gives all the various drum components more space in the mix and helps them stand out better with less volume. As listeners we don't really take note of it, but it does register with the brain and helps to fit the drums into the mix at less volume generally. A snare or a hi hat or any drum component has a different sound when hit lightly versus moderately, versus hard or hit in a different manner or position. ![]() The key for layering drums isn't so much about mixing or creating new drums as it is the natural response from velocity. ![]() I think people misunderstand what drum layering is all about and might be more interested in it if they understood. Yeah, I totally get where you're coming from.
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